Buy The Cave Paintings Of Lascaux France

Buy The Cave Paintings Of Lascaux France
Art History: The cave paintings of Lascaux, France
Art has been part of humanity and can get traced back to the ancestors of the modern man. The cave paintings of Lascaux in France provide an example of early forms of art. The paintings found in the caves of modern-day Dordogne in South Western France are estimated to be at least 20,000 years of age.
Observation
According to Burnham (6), the drawing in the caves was created by an ancient group of people known as the Magdalenian who lived in several parts of what is known today as Europe. The Magdalenians used minerals that could easily access in their environment made up various colors such as yellow, black and brown. Furthermore, evidence collected from the caves indicate that the paints could have blown directly from the mouth using hollow bones (Tedesco). The primary subject of paintings is animals. For instance, there is a painting depicting a huge black bull. Historians speculate that the animals depicted in the paintings were naturally found in the region. Most of these animals were used by the people during the time as a source of food. Furthermore, other paintings depict predators such as lions.
Analysis
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The paintings are centered which depict that the upper paleolithic man was conscious of symmetry. The paintings also include depictions of human beings and complex signs. When looking at the animals, there is the realization that the legs are crossed. Furthermore, the horns of the animals depicted such as bulls and reindeer indicate an illusionary approach toward a three-dimensional art form (Braman 104). The ancient artistic paintings reveal that the upper paleolithic man was able to depict three-dimensional art on surfaces. The colors that are evident in the paintings include yellow, black, and brown all of which were readily available from a variety of naturally occurring minerals.
Interpretation
The paintings depict a general feeling of continuity and interdependency of an ecosystem. The reason the primitive upper paleolithic man could have been obsessed with animal paintings was that he felt that they were necessary for his existence. For instance, a significant amount of the arts is of animals that man must have hunted for food. During the time, hunting must have been an essential means of obtaining food from the environment. Murphy (183) explains that one of the preoccupations of the primitive man was food security. Therefore, perhaps this is the reason why the paintings depict animals that got used as food. According to Burnham (84), the caves were not dwelling places of man but were instead used as sites for ceremonies. Perhaps, early man might have conducted animal sacrifices in the caves.
Judgment
Considering the period that the art got created, there is the general realization that the artists had employed a significant number of artistic concepts still in use in modern art. Aspects such as symmetry, balance, and proportionality appear strongly in the paintings. Furthermore, the paintings are not just hollow creations but were created from the realization that continuity in the world implied that people had to obtain food for survival even when it means killing other animals. The paintings essentially suggest that food and sources of food endow man with a sense of security and continuity.
Conclusions
Works of art are best analyzed in context because the environment significantly influences the work created by an artist. An analysis of “The cave paintings of Lascaux, France,” reveals how articulate early man had been with his environment for survival and continuity.
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Works Cited Braman, James. Handbook of Research on Computational Arts and Creative Informatics. Hershey, NY: Information Science Reference, 2009. Print. Burnham, Brad. Cave of Lascaux: The Cave of Prehistoric Wall Paintings. New York, NY: Rosen Publishing Group, 2003. Print. Murphy, John. Primitive man: his essential quest. London, UK: Oxford University Press, 1927. Print. Tedesco, Laura Anne. “Lascaux (ca. 15,000 B.C.).” October 2000. Heilbrunn Timeline of Art History. Web. 11 November 2018.